Saturday, January 25, 2020

The Flea by John Donne Essay -- The Flea John Donne Songs and Sonnets

The Flea by John Donne â€Å"The Flea†, a witty poem of seduction and conceit, taken from John Donne’s â€Å"Songs and Sonets† is the poem that I have chosen to compare to â€Å"Song†, another poem of John Donne’s where he is passionately pleading with his wife not to be disheartened about his departure abroad. Both poems which belong to â€Å" Songs and Sonets†, written around the time of the 16th century, show that their title suggests they are both short poems, following the traditional form of a sonnet, consisting of fourteen lines. However, they are not â€Å"songs† in the conventional sense we think of and none of them are written as a sonnet. In fact, Donne’s poems were intended for circulation around his local pub, â€Å"Lincoln’s Inn†, where he could impress his male friends with his bawdy poetic nature. â€Å" The Flea†, emphatically rejects the Petrarchan tradition of love poetry, where the woman is seen as a goddess, an object of desire worth worshipping by a man. Instead, Donne wrote poems that saw the earthy reality of sexual relations between a man and woman. The poem, whose historical convention probably started with Ovid, shows that it was common in Elizabethan times to envy a flea for its access to the female body. Donne throughout the poem makes references to the flea, presenting a conceit produced of wit, integrity and persuasion. The title, which presents the conceit, is in fact the structure of the poem, the entire poem depends on this conceit. At first, this is a puzzling image to the reader, it seems bizarre and inappropriate. However, as the poem continues, Donne’s argument does also, and we see how reality is conveyed by the vivid imagery of the flea. Donne uses a three-part syllogism in this poem whic... ...while, they will always have each other in each other’s hearts, and that they will never really be parted. His final argument of persuasion is that they don’t really need the physical presence, as long as there is the matter of trust then he will return to her once more. Overall, by the structure and language used in â€Å"Song†, the poem is very consoling and reassuring. Compared to â€Å"The Flea,† it is very different as the respect for the women the two poems are written for differ enormously. Indeed both poems are extremely clever and logical, with well thought out ideas for argument and persuasion, and are full of wit and clever analogies. However, â€Å"Song† shows a different side to John Donne’s character than â€Å"The Flea† presents, he appears more softer and respectful, consoling and loving than when he appears bawdy and obscene, shallow and disrespectful.

Friday, January 17, 2020

Heaven Is for Real Essay

Sadness, happiness, excitement, joy, and astonishment are only but a few of the emotions you will endure while reading the book Heaven is for Real, the amazing story of a brave and eccentric little boy named Colton Burpo. In March of 2003, what seemed to be a seemingly typical family trip turned into a terrifying fight for Todd and Sonja Burpo’s little boy’s life. Even after months of injury and illness within the Burpo family, Colton’s incident tops them all. The strength of this little boy, even at the young age of only four, is truly inspirational. This book truly portrays the crazy days, weeks, months, and even years that follow the frightening experiences that this family had to go through. In February of 2003, the Burpo’s decide to take a family outing. The Butterfly Pavilion is their destination of choice, and the family couldn’t be any happier to get away. After Sonja’s miscarriage, Todd’s shatter leg, round of kidney stones, and hyperplasia; a vacation is precisely what they need. The Thursday before they’re to leave, however, Colton isn’t feeling well and had complained of a stomach ache. Their babysitter, Norma, calls Sonja at work to report a plunge in little Colton’s sickness. After a trip to the doctor, the Burpos find that the stomach flu is the cause of Colton’s poor health. They see the fun-filled trip slipping away as soon as it had come, and nobody in the household is content. But, by morning, Colton is up and feeling well again; the Burpo’s then set out on their adventure. They soon made it to the Crawl-A-See-Um right outside of Denver, and the kid’s stop to see the many tarantula exhibits. These draw Cassie and Colton Burpo in like magnets. The kids are easily amazed by the many eight-legged creatures, which shock the children with everything that they do. They soon see Rosie, the spider you can hold in exchange for a sticker. Cassie holds her, but Colton is afraid, so they make their way on through. After visiting the many aquariums, they make their way to the butterfly pavilion. They see a monarch fly by, enjoying the beauty of the beautiful orange creature. Sonja, remembering the kids want to swim, insists they leave. As they walk by Rosie, Todd asks Colton if he wants to try and hold Rosie. Colton is positive that this time, he will do it. He ventures up to Rosie, holds her, and gets a sticker. He leaves feeling triumphant as they leave. After swimming, the Burpos head to the Old Chicago Restraunt in Greeley to eat with Pastor Steve Wilson and his wife. While sitting around the large, round booth, they talk about their churches and enjoy Italian food. Todd and Sonja decide to visit Pastor Wilson’s church the next day, as Rebecca Wilson divides her time between the conversation and coloring with the kids. Colton’s eery quietness isn’t noticed throughout the dinner, until Colton makes a remark about his stomach again. They Burpos decide to cut the dinner short, after Colton and Cassie both decide they aren’t feeling well. Colton’s statement comes true, as he throws up all of that night. Soon the next day, they decide to take Colton to the hospital. â€Å"Could it be appendicitis? † Sonja asks the doctor, fearing for bad news. Colton squirms, afraid of the IV as any kid would be. He assures her that the blood test don’t show this, but they don’t know what has happened. As Colton’s health gets worse, Todd and Sonja worry for their son. Then the worst thing yet happened, the shadow of death. Todd sees it on Colton, and afterwards they decide to take Colton to the Great Plains Regional Medical Center. Calling ahead to let the doctor know, they set out towards the center. Todd and Sonja blame each other throughout the whole trip, but when they reach the center and the doctor has gone to lunch, they’re out of people and reasons to blame. Fifteen minutes later, the doctor comes in and looks over Colton. They perform a CT scan, and send the Burpos into a secluded waiting room. â€Å"I think this is it,† are the only words Sonja can muster out as she cradles Colton’s limp body. Five tiresomely long minutes later, a Radioligist comes out to let them know Colton has a ruptured appendix and needs emergency surgery. They wheel Colton away on a gurney, preparing him for his surgery. He thrashes, screaming for his dad, as they put the IV in his arm. Anger flashes in Todd’s eyes, realizing that he may have waited too long and might not see his son alive again. He rages at God, assuming he is going to take his son before he had the time to even live. After the surgery is over, Todd is asked to come back. All the fear and anger leaves his eyes, when he is told that his son is conscious and has been asking for him. Todd and Sonja are amazed at how much better their son feels, looks, and seems. They are told, seven days after checking into the hospital, that they can take their son home. After packing the mulititude of toys and clothes, they go to leave. The elevators are sliding shut, when they are told they cannot leave. New pockets of infection show in Colton’s CT scan, in his abdomen. Sonja, completely exasperated, has a breakdown. The church comes to pray with Colton shortly after, only praying for one simple thing: gas. They are told that if Colton passes gas, that it would be a good sign. Within an hour, the prayer was answered. Colton felt better the next morning, and doctors were shocked at this miracle. After what seemed like forever, Colton and the rest of the Burpo family can finally go home after this horrific event. After they go home, life seems to go back to normal. It wasn’t until four months after Colton’s surgery, on their Fourth of July trip, that they realize their son has witnessed something extraordinary. On their way, Todd jokingly asks Colton if he wants to go back to the hospital. The response he gets is far from what he expects, however. Colton proceeds to tell him that the hospital is where angels sang to him and he sat in Jesus’ lap. Todd and Sonja laugh it off, thinking Colton had imagined the whole thing. They continue to believe so, until he tells them exactly what they were soing, and where, during his surgery. He also offers more information, spread over the next years. Days, weeks, and months all came with new information. â€Å"Did you know that Jesus had a cousin? Jesus told me his cousin baptized him,† Colton informed his father one night. He tells his dad about a horse that he petted, God’s beautiful eyes and clothes, his crown, and God’s â€Å"markers,† nonchalantly one night, as if he were talking about what he ate for lunch. When Todd realizes that by â€Å"markers,† Colton means the nails in Jesus’ hands and feet, he knows that he can’t be making it up. Todd and Sonja are amazed at all the things he knows all of a sudden. The normal nights come often, but the talks about supernatural phenomenons become spaced out. Colton begins to talk about his Pop, who died before Colton was born. He also tells his dad that he knows that Jesus told him to be a pastor, and when he agreed, Jesus was very happy. He also told his mom that he knows he had another sister, but she died in her tummy. He tells her that she looks like Cassie and is dark headed, like Sonja. He also says that she didn’t have a name, because they hadn’t named her yet. When Sonja begins to freak out, Colton explains that she’s okay and that God adopted her. Colton also tells about God’s throne room, and makes one point in particular stand out: God loves the children! After Colby is born, they realize they have to hire a babysitter. They decide in a very mature for her age 8th grader, named Ali. All is well, until one night they come home to Ali crying. When Sonja asks her why, she says that Colton was crying and tells her why. Colton, after being put in bed, tells Ali that he misses his sister that died in mommy’s tummy. When he begins to cry, Ali holds him until he finally cries himself to sleep. This isn’t the only serious thing Colton says about Heaven. One night, while at home, he tells his dad that the angels have wings to fight off Satan. He tells him that there is going to be a battle, and that Todd will have to fight in it. He also tells that he sees the power God sends his dad during church, while he preaches. Todd and Sonja now believe Colton more and more by the passing day. 2007 is the first time that the Burpos told about Colton’s indifferent, to say the least, experience. Todd now found himself with more and more questions about Heaven and what his 4 year old saw. One woman, in tears, approaches and asks if Colton might have seen her stillborn baby in Heaven. He asks the woman that if she believes that God loves her as much as God loves him, and if he loves her living son as much as he loves his living son, then why wouldn’t he love her unborn child as much as his? At this moment, he knew that God had sent him the power to help that woman; the same power Colton had claimed to have seen God shoot down. Years have passed since Colton’s accident, but his story is and will be known for many more years to come. The amazing experiences that this family went through are truly touching, and this book portrays that beautifully. From cover to cover, it’s a book you will not want to put down. Colton’s story is amazing, and as the nurse once told Todd Burpo, â€Å"There has to be a God, because this is a miracle. †

Thursday, January 9, 2020

Musical Counterpoint In The Baroque And Classical Eras

Musical Counterpoint in the Baroque and Classical Eras Counterpoint, according to the Encyclopedia Britannica, is the â€Å"art of combining different melodic lines in a musical composition. It is among the characteristic elements of Western musical practice† (Jackson). Counterpoint is very prevalent in Western music, from around the Renaissance Era to modern times, and has been common practice until the twentieth century (â€Å"Counterpoint†). From the Renaissance era to the Classical era, counterpoint has had the same general principles and structures, been utilized by great composers, such as Bach, Mozart, and Beethoven, and resulted in some of the most beautiful music. The guidelines of counterpoint, while having increased in freeness over†¦show more content†¦Irene Girton states, â€Å"In the first species, each note in the underlying melody is accompanied by a single note in the new contrapuntal line with consonant harmonic intervals† (Girton). Ess entially, the second line must match the rhythm of the first line and avoid dissonances. The second species, according to Girton, introduces harmonic dissonance in the form of a passing tone of the second line, so for every note of the original line, there are two notes in the new line (Girton). Next, the third species permits four notes contrapuntal notes against one, and â€Å"presents more complicated and challenging problems† (Girton). For example, a four quarter note line against a whole note will be difficult to reach a goal because of the increased possibility of dissonance. For the fourth species, Girton explains, â€Å"the Fourth species, like second species, permits two notes against one, but with a suspension figure† (Girton). This means that there can be a dissonance on the first beat that resolves on the second contrapuntal note. The last species to master before allowing free counterpoint encourages mixed rhythmic values in the contrapuntal line, with pos sible embellishment (ornamentation) or other elaborations (Girton). As one masters each species, the created contrapuntal lines become more dissonant and complex, thus increasing both the complication of the musicShow MoreRelatedCharacteristics Of Classical Music1277 Words   |  6 PagesA very big misconception with classical music is that it is one big group. There are four main musical periods of classical music. They are the baroque, classical, romantic, and the modern eras. The first major era of classical music is the baroque era. It started around 1600 and ended around 1750. The baroque time period was very important as it was a foundation for classical music to grow and develop. Many musical forms were made and developed as well. Some examples are the sonata, concerto, andRead MorePeculiar Circumstances During the Baroque Era771 Words   |  3 PagesOne of the most important eras in the history of classical music, was undoubtedly the Baroque Era. This period lasted from 16 50 to 1750, and largely stemmed from the musical innovations of both Italy and Germany. Through this era, the arrangements such as the concerto and the sonata were produced, as well as mastery of the organ and other instruments. Two of perhaps the most influential artists of this era were Arcangelo Corelli and George Fridric Handel. Before discussing the styles and techniquesRead MoreThe History Of Western Music1381 Words   |  6 PagesThe History of Western Music Throughout history all cultures have been influenced by music. Before the Baroque era in music there were many forms of western music. Most of this music was monophonic, sung in chant used mostly for religious purposes. 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Bach’s mastery of all the major forms of baroque music (except opera) resulted not only fromRead MoreThe Evolution of the Motet Essay1297 Words   |  6 PagesMotet Throughout the history of music, there have been few styles that not only have opened doors to masterwork compositions in their own genres, but have also led the way to other musical techniques over the musical eras and one of these magical music styles is the motet. The motet can easily be confused with other musical structures but what separates the motet from other types of group-performance based styles of music is a piece of music in several parts with words.1 This is the closest definitionRead MoreInfluence of Baroque Music to Classical Music4158 Words   |  17 PagesThus the word baroque, usually used despairingly by eighteenth-century art critics to describe the art and architecture of the seventeenth and early eighteenth centuries, came to be applied also to the music of the seventeenth and early eighteenth centuries. 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